A research art periodical 
at the dawn of the Night era



# 1
# 3
# 5
Herbst ’25
Winter ’26
Frühling ’26

Editorial
Imprint
Support




Himmel 
Und Hölle


Following the protagonists of the international aggregator art scene, this research art periodical examines their often innovative exhibiting strategies, artistic forms, neo-medieval sensibilities, and post-apocalyptic moods, situating these practices and narratives within a broader aesthetic, social, and technological landscape — at the dawn of the Night era. Loosely echoing Graham Harman’s flat ontology, the publication positions itself methodologically at the intersection of contemporary art, art history and theory, game studies, and social, political, and migration studies, alongside discussions surrounding the green economy and related fields.

# 1

Herbst ’25

H&H Verlag
English
2025


ISSN 3054-0828
180 pp. 
PDF: READ/DOWNLOAD
Featuring an editorial introduction; conversations with sarazinzambinella and Pavel Polshchikov; Tobi Keck’s questionnaire and artwork; the Bernau memorial; Greht’s sustainable wardrobe; a sigil created following Austin Spare’s method; an archival case study of the Disaster show; a visualisation of the concept of Night through different languages; a Big Pharma rebus; COVID-19 campaign posters; a graphic novel; and Maresiy Ivashchenko’s Refugee Photobooth; plus editor’s picks, academic announcements, reviews, and more.

# 3Winter ’26

H&H Verlag
English
2026

ISSN 3054-0828
224 pp. 
PDF: READ/DOWNLOAD
Featuring Vladimir Chernyshev’s mysterious Castle; Fanny Varjo’s Knight doing yoga; an archival case study of the landmark online show “beneath the beach, seamless paving stones” by Rhizome Parking Garage; Jürgen Baumann’s questionnaire and artworks; Roma Bantik’s Strange(r) Fashion and questionnaire; the Investigative One’s visual essay on Lovecraftian horrors in tabletop and digital games; sigils based on automatic drafting; Anna Soz’s questionnaire and artworks; a fresh Big Pharma rebus; sarazinzambinella’s continuation of his graphic novel; plus editor’s picks, academic announcements, a paper game, a recipe, and some insights into the metaphysics of Hell.

# 5Frühling ’26

H&H Verlag
English
2026

ISSN 3054-0828
... pp. 
PDF:
Forthcoming issue

# 9Sommer ’26

H&H Verlag
English
2026

ISSN 3054-0828
... pp. 
PDF: 
Forthcoming issue

2/3    Hussein Chalayan, Rizzoli
# 2Herbst ’26

H&H Verlag
English
2026

ISSN 3054-0828
... pp. 
PDF: 
Forthcoming issue

2/3    Hussein Chalayan, Rizzoli
# 6Winter ’27

H&H Verlag
English
2027

ISSN 3054-0828
... pp. 
PDF: 
Forthcoming issue

2/3    Hussein Chalayan, Rizzoli
# 7Frühling ’27

H&H Verlag
English
2027

ISSN 3054-0828
... pp. 
PDF: 
Forthcoming issue

2/3    Hussein Chalayan, Rizzoli
# 4Sommer ’27

H&H Verlag
English
2027

ISSN 3054-0828
... pp. 
PDF: 
Forthcoming issue

2/3    Hussein Chalayan, Rizzoli
# 8Herbst ’27

H&H Verlag
English
2027

ISSN 3054-0828
... pp. 
PDF: 
Forthcoming issue

2/3    Hussein Chalayan, Rizzoli
Imprint

Publisher: H&H Verlag, Berlin 
Language: English
Since Autumn 2025
Frequency: Quarterly
Distribution: Open access;
non-commercial use only

ISSN 3054-0828
Dimensions: 29.6 × 22.3 cm
Typefaces: Lydian FS Regular, Pragmatica Format: Electronic (PDF) 

Editorial team
Andy Shab (Berlin), art historian
sarazinzambinella (Tiflis), artist

Advisor
Pavel Polshchikov (Paris), artist

Design
Maria Baturina, artist

Editor in Chief
Andy Shab

For all enquiries, proposals, and collaboration, please contact: hh.art.periodical@gmail.com

To stay updated, please follow us on Instagram: @hh.art.periodical

Vignettes on this webpage: Tatyana Chernomordova. From the series Rabelais. 2020. Drypoint. Dimensions variable. Images courtesy of the artist and the Grafikkabinett WöD. 

© Himmel und Hölle and contributors 2026.
Texts and images remain with their authors; shared here under the night’s protection.
Support


The launch of the project was made possible thanks to a “Culture Moves Europe” mobility grant from the European Union. The views expressed herein can in no way be taken to reflect the official opinion of the European Union. 



This is a non-commercial initiative. Voluntary support, subscriptions, and donations to sustain this research art periodical are most welcome and will be highly appreciated.

To donate, please use this link Donate

or scan the QR code