Himmel 
Und Hölle


Following the protagonists of the international aggregator art scene, the periodical examines their often innovative exhibition strategies, artistic forms, neo-medieval sensibilities and post-apocalyptic moods, situating these practices and narratives within a broader aesthetic, social and technological landscape — at the dawn of the Night era. Loosely echoing Graham Harman’s flat ontology, the publication adopts a deliberately non-hierarchical approach to its subjects, moving freely between contemporary art, art history and theory, game studies, ecology, medicine, social and political issues, migration studies, the green economy and other fields of inquiry.

# 1

Herbst ’25

H&H Verlag
English
2025


ISSN 3054-0828
179 pp. 
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Featuring an editorial introduction; conversations with sarazinzambinella and Pavel Polshchikov; Tobi Keck’s questionnaire and artwork; the Bernau memorial; Greht’s sustainable wardrobe; a sigil created following Austin Spare’s method; an archival case study of the Disaster show; a visualisation of the concept of Night through different languages; a Big Pharma rebus; COVID-19 campaign posters; a graphic novel; and Maresiy Ivashchenko’s Refugee Photobooth; plus editor’s picks, academic announcements, reviews, and more.