A research art periodical 
at the dawn of the Night era



# 1
# 3
# 5
# 9

Herbst ’25
Winter ’26
Frühling ’26
Sommer ’26

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Himmel 
Und Hölle


Following the protagonists of the international aggregator art scene, the periodical examines their often innovative exhibition strategies, artistic forms, neo-medieval sensibilities and post-apocalyptic moods, situating these practices and narratives within a broader aesthetic, social and technological landscape — at the dawn of the Night era. Loosely echoing Graham Harman’s flat ontology, the publication adopts a deliberately non-hierarchical approach to its subjects, moving freely between contemporary art, art history and theory, game studies, ecology, medicine, social and political issues, migration studies, the green economy and other fields of inquiry.
# 5Frühling ’26

H&H Verlag
English
2026

ISSN 3054-0828
199 pp. 
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Featuring Peter Zumthor and Louise Bourgeois’s breathtaking Steilneset Memorial in Norway; the Spotlight rubric with Bojan Šarčević’s Berlin exhibition; an artist questionnaire offering insight into Slava Nesterov’s original artistic approach alongside a representative selection of works; the second major entry in our series of archival studies, “Territories of the Aggregator Art,” this time dedicated to the forest and such landmark offsite events as Gothic Pastoral and Big Fungus, among many others; a new “Big Pharma” rebus by sarazinzambinella together with a continuation of his graphic novel; seasonal editor’s picks and intriguing academic announcements; recipes for survival in times of austerity; and the Transfiguration rubric, featuring a questionnaire with Hanna Antonsson and an overview of her inspiring and thought-provoking practice.