A research art periodical 
at the dawn of the Night era



# 1
# 3
# 5
# 9

Herbst ’25
Winter ’26
Frühling ’26
Sommer ’26

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Himmel 
Und Hölle


Following the protagonists of the international aggregator art scene, the periodical examines their often innovative exhibition strategies, artistic forms, neo-medieval sensibilities and post-apocalyptic moods, situating these practices and narratives within a broader aesthetic, social and technological landscape — at the dawn of the Night era. Loosely echoing Graham Harman’s flat ontology, the publication adopts a deliberately non-hierarchical approach to its subjects, moving freely between contemporary art, art history and theory, game studies, ecology, medicine, social and political issues, migration studies, the green economy and other fields of inquiry.
# 9Sommer ’26

H&H Verlag
English
2026

ISSN 3054-0828
242 pp.
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Featuring the first part of the series Trust Noflag, created by don_elektrq in collaboration with ideath; artists Misha Goodwin’s and Anton Kushaev’s diverse and insightful questionnaires, accompanied by a representative selection of their works; the third archival case study in the series Territories of the Aggregator Art, dedicated to the church, which has remained a recurring point of reference in many aggregator shows, both as a physical location, but even more so as a cultural and conceptual phenomenon, including through its role as an arbiter between Good and Evil; a conversation with the design studio zweihundertkilo (200 Kilo) about their arresting The Volksbühne 2025/26 Season Campaign; a deck of playing cards reworked following Austin Osman Spare’s method; a new “Big Pharma” rebus by sarazinzambinella, together with a continuation of his graphic novel; seasonal editor’s picks and academic announcements; and a review of the new production of Parsifal by Susanne Kennedy & Markus Selg, who attempt to make this enigmatic, more-than-century-old masterpiece speak to the postdigital world we live in.