Himmel 
Und Hölle


Following the protagonists of the international aggregator art scene, the periodical examines their often innovative exhibition strategies, artistic forms, neo-medieval sensibilities and post-apocalyptic moods, situating these practices and narratives within a broader aesthetic, social and technological landscape — at the dawn of the Night era. Loosely echoing Graham Harman’s flat ontology, the publication adopts a deliberately non-hierarchical approach to its subjects, moving freely between contemporary art, art history and theory, game studies, ecology, medicine, social and political issues, migration studies, the green economy and other fields of inquiry.

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The launch of the project was made possible thanks to a “Culture Moves Europe” mobility grant from the European Union. The views expressed herein can in no way be taken to reflect the official opinion of the European Union. 

This is a non-commercial initiative. Voluntary support, subscriptions, and donations to sustain this research art periodical are most welcome and will be highly appreciated.

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